Untitled Film Still #21 speaks most volumes to me. When I see it it reminds me of what a woman might deal with walking through a rough neighborhood. Perhaps someone calling her an obscene name or making a perverse suggestion and then this woman retracting in some degree of fear, anger, and general disgust. This probably goes back to Ms. Sherman's living in 80s New York City.
Ms. Sherman did an interview with Kenneth Baker where she says: "Sometimes…. When I did the head shots, people felt that I was making fun of these characters, but I really felt they kind of endeared themselves to me..." She puts, into her work, an endearment and feeling toward her characters which shows that she does think of the way that they are portrayed and each feeling is deliberate. This is important when one looks at the broader depth of her works and how she works toward that finality.
https://walkerart.org/magazine/cindy-sherman-walker-art-center
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